Balla-Mara, Dookit Brewing

Commission to produce label artwork for Dookit Brewing.


QUOTA, Art Walk Porty

Bottom towed fishing vessels are highly destructive to underwater ecologies including living seabed ecosystems which take millennia to form. Physically disruptive of the seafloor and indiscriminately collecting everything in their path, they result in the unintentional catch and loss of non-target marine species and their habitats. Less than 5% of Scotland’s inshore seabed is protected from bottom-trawling and scallop dredging.

Quota brings this unseen activity to the surface, asking what life looks like to those who live underwater.

The work compares the weighty, sharp and unwieldy gear of the scallop dredge with its chain mail “belly bag” to the delicate marine bodies underwater. Riley has engaged with local marine scientists and conservationists to create underwater photographs of affected locations. These images show not only the impacts of dredging but also the positive solutions being enacted by communities.


Argyll Hope Spot

Work from the Argyll Hope Spot snorkelling artist’s residency in 2022, exhibited at The Rockfield Centre, Oban and Wasps Inverness Creative Academy in 2023.

Snakelocks anemone, pencil on paper, 2022
Edge of the meadow, seagrass and hessian, 2022
Sea Lemon egg case, pencil on paper, 2022


Magical Octopus Sequel, Knockvologan Studies

knockvologan.net/magical-octopus-sequel


The Frayed Atlantic Edge, David Gange (Harper Collins)

The Frayed Atlantic Edge, David Gange (Harper Collins) Section break illustration Pen and ink, 2019

Section break illustration
Pen and ink, 2019


WASPS Artist Residency, Isle of Skye

WASPS Artist Residency, Isle of Skye, 2018 Research and practice development looking at the uses of seaweed in art and the local community.
Coral Beach Pressed seaweed, 2018
Ben-Oakes-Skye-Seaweed-Company.jpg